New Work – Morrigan
Synthetic polymer on canvas
100 x 70cm
Here is a piece I was commissioned to paint last year for a family’s first born baby girl.
I could have cracked out the watercolours and done a weird baby portrait, but that would have a been a bit shit.
Instead, I tried my hand at a shaped canvas and imagined her as the ‘phantom queen’ Morrigan – the Goddess of war, destiny, fate and death from old Irish mythology. Yes, much better.
Hope she grows up to be just as awesome.
Diemen Awards 2018
The opportunity to put a couple of my illustrations into Tasmania’s creative industry event – The Diemen Awards came up and I’m really pleased to announce that I made the finalists this year. It was great to catch up with some people I hadn’t seen in ages and mingle a bit with the greater creative community here in Hobart. So much talent out there working on big projects. Getting the recognition at this level was really cool too, and it’s lit a fire under my ass/arse/bottom to work a lot harder in 2019. See you next year Diemen!
Synthetic polymer on canvas
100 x 70cm
Some new things are in the works and I’m looking forward to sharing them with you soon.
So heads down for a bit. In the meantime, here’s the first painting.
For the last month of so I’ve been busy working away on some sculpture. This is my latest – The Trickster. I was inspired to make it after seeing Belgian sculptor Guillaume Geef’s Le génie du mal. My version mashes up a popular Tasmanian tourism icon with Geef’s Lucifer, and is modelled after the popular trickster in Japanese mythology the tanuki.
For more pics, stop by my instagram
Prosthetic Reality at UniSA
A little while back I was invited to join a group of international artists on a special little project called Prosthetic Reality. It’s an AR book that uses an app called Eyejack to bring the artworks on each page to life with animation and sound.
It’s now on display for the next few months at the University of South Australia MOD, so if you’re in the state drop in and see this and more exhibits that explore the intersection between art and science.
In the Spirit of The Age, 8 Feb 2018
Acrylic on canvas
60 x 60cm
SEAN EDWARD WHELAN
IN THE SPIRIT OF THE AGE
Big thanks to all those that could make it out to the opening and saw the work over the course of the show. Big warm fuzzy feels. Special thanks to Blackartprojects for their logistical expertise, Neospace for their hospitality and Dormilona for their awesome wines, that almost stole the show.
Check in with www.blackartprojects.com.au for work availability.
London SketchBook Festival 2017
As well as the featured artists, there’ll be heaps of chances to join sketchbook workshops and meet up with designers and illustrators too, all based around drawing, architecture and moving image. For more info on this year’s event, check their site.
Sept 21 – 30. 2017.
MiniComic.club Project Updates
After about a month of late nights – I’ve finally got the comic off to the printers for this year’s MiniComic.club.
Hungry Workshop in Melbourne are handling the production, and I’m looking forward to how it shapes up.
Printing starts really soon and right after that will be in the hands of everyone that subscribed this year. It’s been fun, but damn hard work putting it together – I’ve learned a heap about everything that goes into producing them and have a new appreciation – hats off to all the writers, pencilers, inkers and colourists out there. Truly amazing art form.
Later on this year, in September, I’ll be releasing a comic with MiniComic Club – an annual project that’s been running since 2013, and last year, I got the call to submit for 2017’s edition. To give you a bit of a background on it, here are words from the website.
“…bringing you and your mailbox a years worth of minicomics and zines from some of Australia’s most interesting cartoonists and comics-makers…. 12 comics over 12 months, one each from these beautiful people…“
Beautiful people artists and a new comic book every month. Nice! And all it takes is a little subscription fee and they come to your door in miniature format – A6 size to be precise.
From year to year the line-up has consisted of well established and emerging comic artists, and occasionally artists from other fields – and that’s where I fit in this year. So once I have the show I have been planning for years finally done, I’ll be working on a comic – which is pretty neat.
And if you want to learn more you can go here, where I have a short interview about my experience with the comic medium, on medium.
(There are also interviews with other comic artists from past and present MiniComic Club projects to check out.)
If you are even more interested, you could also visit the MiniComic.Club page and get yourself a subscription for $38 AU. Very nice!
I got my copy last week in the mail, and it is great to see this project come to fruition. I’m super happy with how my submission came out and it’s great to be side-by-side with animators and artists I really admire.
You can get your own copy at Sutu’s store, and more info about Eyejack, the app that runs the the AR on your mobile device, here. Very exited to see where this goes in the near future, and how artists bridge the traditional and digital arts with this tech.